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Arts Calendar / February 14 / Concerts
19:00 Rolando Villazón (Mexico)
Touted as a possible successor to Plácido Domingo, Rolando Villazón burst on the scene in the early 2000s with a flurry of appearances at top opera houses around the world. He survived a vocal cord cyst in 2009 and has gone on to become one of the world's top opera stars. Domingo's Perhaps Love album, recorded with John Denver, was the first example of operatic singing Villazón heard. Domingo served as a mentor to Villazón later in his career, and Villazón's voice has frequently been compared to Domingo's. His vocal gift was of the sort that emerges from a well-rounded education in the arts rather than one that shaped his life from childhood. Villazón studied theater, ballet, and modern dance as well as music at the Espacios arts academy. Villazón rounded off his education in 1998 with a stint at the San Francisco Opera's "Merola Opera Program" for young singers, taking classes with Joan Sutherland. The following year he made his European debut in Genoa, Italy, with an appearance as des Grieux in Massenet's Manon. Over the next five years, he appeared in a host of European and American houses. Villazón made his Metropolitan Opera debut in the fall of 2003, in Verdi's La Traviata. A highlight of his career was performing La Traviata with Anna Netrebko in a much-acclaimed production at the Salzburg Festival in 2005. Although his focus has been on the Romantic repertoire, he also has extensive experience performing works by Baroque composers, including Monteverdi, Handel, and Vivaldi. Beginning in 2013 with a recording of Così fan tutte, the tenor has spearheaded a major new series of Mozart opera recordings on the Deutsche Grammophon label; in 2019, his recording of Die Zauberflöte (The Magic Flute) in that series appeared, with Villazón in the role, not of the tenor lead, Tamino, but of the comic baritone Papageno.
Zaryadye Concert Hall 
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