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Arts Calendar / September 12 / Exhibitions
Gugong. Opening Seals
The Moscow Museum of Modern Art presents the exhibition Gugong. Opening Seals. Contemporary Art of the People’s Republic of China from the Collection of Alexander Chistyakov. It will showcase the art scene of the People’s Republic of China over the past decades: from the works of nonconformist artists to the so-called Cynical Realism, a recognizable and commercially successful brand of the 2000s. This project continues the MMOMA exhibition programme that aims to explore and display private Russian collections. The show will introduce works from Alexander Chistyakov’s collection, which features leading names of contemporary Chinese art. The works by Chinese artists will be exhibited along with the Russian art from the collection of the Moscow Museum of Modern Art. Each room of the exhibition will be organized around a particular topic reflected through different periods, trends and narratives of Chinese contemporary art. Most of the works deal with rethinking the national culture and identity in an international context. One of the main influences on contemporary Chinese art was American pop art. It was this movement, that addressed templates and stereotypes, the crisis of consumer society and the problem of the overproduction of images in mass media, that largely set the vector of artistic research after the Cultural Revolution.
Moscow Museum of Modern Art on Gogolevsky bulv 
Kaleidoscope of Collections. Rarities of the Museum Collection
The Museum of Contemporary History of Russia collection (former the Museum of the Revolution of the USSR) was formed under the influence of the events taking place in the state. Initially, the museum was created as the museum of the revolutionary and democratic movement, and it saw its main tasks as showing the glorious revolutionary past, the chanting of the fighters against the autocracy, the story about the history of the CPSU (b). However, from the very first days, the museum began to receive not only documentary materials, but also the material relics. The museum actively complicated propaganda porcelain, art lacquers, metal and glass objects symbolizing the struggle of the working class for the fair world. When completing art collections, the plot has always been very important for the museum — the historical event reflected in the particular work, the disclosure of the surrounding life actual themes by artistic means. Thus, the collection of decorative and applied arts was gradually formed. The Museum of the Revolution storages were actively replenished with the gifts from the Soviet and foreign delegations to leaders of the state, prominent political and economic figures of the country, as well as with the products made in the single copy for the opening of various congresses and party conferences. Despite the fact that these items were created by the best masters of their time, not all of them could be exhibited in the permanent exhibition. In different years, the museum staff found many ways to show art relics to visitors: these were exhibitions of gifts, and visible storage of museum collections, and, finally, the exhibition that you see now — “Kaleidoscope of Collections. Rarities of the Museum Collection”.
Museum of Contemporary History of Russia 
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