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Arts Calendar / November 1 / Concerts
20:00 Yann Tiersen (France)
With his whimsical, melancholy music, Yann Tiersen has become a sought-after composer, not only for his soundtrack work, but in his own right. Borrowing from French folk music, chanson, musette waltz, and street music, as well as rock, avant-garde, and classical and minimalist influences, Tiersen's deceptively simple style has been likened to Chopin, Erik Satie, Philip Glass, and Michael Nyman. The Paris-based composer became popular outside his native country for his score to Jean-Pierre Jeunet's Amélie, but like most seemingly overnight successes, he had been working for years before the film's success brought him international acclaim. Born in Brest in Brittany on June 23, 1970, Tiersen was raised in Rennes and made a name for himself as one of the star pupils at his local conservatory (despite middling academic grades). Tiersen studied violin and piano from the ages of six to 14, and eventually trained to be a conductor. However, Tiersen rebelled against his classical training and, inspired by the likes of Joy Division and the Stooges, played guitar with several local post-punk-influenced bands during his later teenage years. As Tiersen's acclaim grew, so did the scope of his records. That year's Black Sessions -- a live album of a radio performance -- featured collaborations with Dominique A. and the Divine Comedy's Neil Hannon, as well bands like Les Têtes Raides and the Married Monk, who also appeared on 1999's more rock-oriented album Tout Est Calme. Tiersen spent the rest of the 2000s alternating between film and pop music, issuing the score to Les Retrouvailles and the collaboration Yann Tiersen & Shannon Wright in 2005. Tiersen took a very different approach on 2016's Eusa: an album of solo piano pieces inspired by his home on the island of Ushant, it was preceded by a book of sheet music for its songs and a collection of field recordings featured on the finished product.
Crocus City Hall 
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