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Arts Calendar / June 11 / Concerts
19:00 The Academy of Ancient Music (UK)
The Academy of Ancient Music will perform Orchestral Suites No.1-4 by Bach. It is an orchestra with a worldwide reputation for excellence in baroque and classical music. It takes inspiration directly from the music’s composers, using historically informed techniques, period-specific instruments and original sources to bring music to life in committed, vibrant performances. Founded by Christopher Hogwood in 1973, the ensemble remains at the forefront of the early music scene more than four decades on; Richard Egarr became its Music Director in 2006. The Academy of Ancient Music has always been a pioneer. It was established to make the first British recordings of orchestral works using instruments from the baroque and classical periods and has released more than 300 discs, many of which are still considered definitive performances (among its countless accolades for recording are Classic BRIT, Gramophone and Edison awards). It has now established its own record label, AAM Records, and is proud to be the most listened-to orchestra of its kind online, with over one million monthly listeners on Spotify. AAM’s education and outreach programme, AAMplify, nurtures the next generation of audiences and musicians. With this expanding programme, working from pre-school through tertiary education and beyond, AAM ensures its work reaches the widest possible audience and inspires people of all ages, backgrounds and cultural traditions. AAM is Associate Ensemble at London’s Barbican centre; Orchestra-in-Residence at the University of Cambridge, The Grange Festival, Milton Abbey International Summer Music Festival, Music at Oxford and the Apex, Bury St Edmunds; Research Partner to the University of Oxford; and an Artistic Partner to London’s Culture Mile.
Zaryadye Concert Hall 
19:00 Wardruna (Norway)
Main composer Einar Selvik initiated Wardruna in the early 2000s together with Lindy-Fay Hella and former member Gaahl. In 2009 we released our debut album and first part of the Runaljod trilogy featuring musical renditions based on the runes. Each of the three albums is focused around eight of the twenty-four Proto-Norse runes, more commonly known as the Elder Futhark. The runes are interpreted on their own premises, although here their various qualities are placed in the wider context of various ancient Nordic traditions relating to nature and human and spiritual relations. For this reason, some of the recordings have also been made in various locations or under circumstances that have particular significance for the rune in question. Bearing in mind that there will always be space for disagreement when working with the runes, it is important to emphasize that whether these mysterious symbols are approached by artists, scholars or modern sages, the truth of the matter is that there are so many things about their esoteric use that we can never be certain about. Our approach is artistic, scholarly and mystical, our songs working out from the core meaning of each rune implied by the sparse original sources we have at hand, building on those qualities that lie behind the whole concept and purpose of Wardruna: sowing new seeds and strengthening old roots.
Crocus City Hall 
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